*Note: this is my unedited blog post that I did for a class, so excuse me when I refer to the class.
To ponder this question I will first post some links.
This piece begins with a soundscape:
http://www.youtube.com/watch?v=wg3VhG8Vw5M&feature=relmfu
This piece samples a shakuhachi (Japanese flute, essentially):
http://www.youtube.com/watch?v=A-I_pZZ100E
This piece samples bagpipes but in general has a "other-worldly" sound:
http://www.youtube.com/watch?v=2kfkUUkEGtc
This piece - created by me - is about a specific region and conveys a particular sound:
http://www.youtube.com/watch?v=8X3ewAW45r4
http://soundcloud.com/zru/swordsmen-on-ice
The latter is a remix of the former.
The astute reader will realize I essentially asked if four different "categories" constitute world music.
Personally
I think we say world music depends on coming from non-Western nations,
but blues and country are noted by Titon was "world" music, so the
country of origin may not be the only consideration. Yes, Blues was
developed by people of African descent and even has ties to Islam but it
was created in the United States. Personally, I consider all of these
sounds to be "world music" because they come from different parts of the
world. Some of Dr. _______'s examples of soundscape come from Westerns,
including Schafer. I have previously said what I believe about
soundscapes and was wondering if anyone had anything new to note.
As
far as the Linkin Park song, I would consider the shakuhachi sample to
be an integral part of the song and reflects a world music influence; it
even constitutes the music being called to an extent world music. The
use of bass-frequencies-heavy guitar for percussion also reflects an
unusual approach; does that make the song world music?
What
constitutes world music is simply based on what we are unfamiliar with.
For example, bands such as Joy Division and Godspeed You! Black Emperor
are seen as otherworldly. For example, Pitchfork writer Joshua Klein
said this about Joy Division's debut album: "Simply put, the group's
debut full-length Unknown Pleasures, released in 1979, sounds
like little that came before it.."
(http://pitchfork.com/reviews/albums/11624-unknown-pleasurescloserstill/?utm_campaign=search&utm_medium=site&utm_source=search-ac)
The band's music, in particular songs such as "Disorder", are
considered to be very unique. Would this music constitute world music? I
to a degree believe that such music would be music; world music in part
relies upon what we are unfamiliar with. To someone unfamiliar with Joy
Division perhaps their music is world music. I'm not sure whether the
band can be called world music, though. Simply being from an
English-speaking country does not discount music from being world music.
I believe that underlying world music is the idea of geographic
location and the culture present playing a part in the creation. In
other words, music carries a sense of regionalism. Montreal may have a
fairly standard indie rock scene in some regards, there are bands that
use French lyrics such as Malajube and Arcade Fire, which separates them
from similar indie rock scenes in Toronto and Chicago. My song Statues
carries a sense of regionalism in that it carries a sound likely
reminiscent of mountains; I based the song off of the higher end notes
of the piano for that reason. This song was written about the Mt. St.
Helen's eruption of 1980; there is a very important influence from
regionalism present in this song. Does this song count as world music?
(For those of you who listened to the Wolves in the Throne Room song I
linked, I consider these songs to both contain influences from the
geographic region.)
My remix, though likewise inspired by a
mountain, features a sample of a Brian Eno song inspired by sounds of
nature; in particular breathing or sounds like it can be heard. Where
"Statues" was about the aftermath of an eruption, "Swordsmen on Ice" is
simply about events happening on a mountain. Region does play a role
here too: the latter track was made to represent a scene from Batman
Begins where Bruce Wayne spars on ice. This mountain - at least to me -
seems lively, hence the breathing. Where the inspiration is drawn can
impact music. Does the remix constitute world music as well?
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